A Review of Sarah Holland-Batt’s The Hazards – Mascara, 2015

“Poetry as enacted by The Hazards is premeditated violence. So is art at large, the collection posits, as well as the creation and appreciation of the beautiful in general. And it is this quality of calculated violence, this mingling of the cerebral and visceral, that makes The Hazards so powerful, so disquieting, so moving.”

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